The version of ‘La Campanella’ popularly performed nowadays is the third one published in 1851 in the enharmonic G-sharp minor. (Abstract) Franz Liszt’s (1811-1886) arrangement of Nicolo Paganini’s (1782-1840) La Campanella is arguably the most popular classical piano piece on YouTube. The nickname ‘La Campanella’ means little bell and you can hear the bell effect in the high repeated notes in the right hand. And with that sort of ancestry, it's no surprise this is one of the most difficult piano pieces ever written. A few years later he produced a second version, removing a lengthy introduction, and changing the key from a minor to A-flat minor, presumably so that the big jumps would land on black keys rather than white ones, making it (slightly) easier to play. Liszt 's short piano piece ‘La Campanella’ takes a melody from Paganini 's Second Violin Concerto. "La clochette" is relatively little known, and rarely performed. Also, Henle rankings are kind of pointless to be honest. It's not easy by any means, but in the grand scheme of Liszt, it's not so bad. “La Campanella,” which is based on Paganini’s second violin concerto, forces the pianist to do unheard of things: awkward trills, huge leaps with both hands, and finger-twisting technique that no one had heard before even from Liszt himself.īackgroundLiszt wrote a first version of this piece and called it "Grande Fantaisie de Bravoura sur la Clochette de Paganini" in 1834, after he heard Paganini perform his own second violin concerto. To be fair, Liszt really wrote to my strengths, and I've never done anything but casually look at this piece but I honestly don't understand why la Campanella is considered so difficult. He resolved at that moment that he would strive to do the same with the piano. Fifteenth intervals are quite common in the beginning of the étude, while the sixteenth intervals appear twice, at the first thirtieth and thirty-second measures.Sign up to listen & download > Liszt's magic bellWhen Liszt saw Paganini play for the first time, he realized that Paganini wasn’t just playing better than anyone else, he was playing the violin as well as it could be played. This is one of the many songs by Franz Liszt called La Campanella. Little time is provided for the pianist to move the hand, thus forcing the pianist to avoid tension within the muscles. Sixteenth notes are played between the two notes, and the same note is played two octaves or two octaves and a second higher with little (depending on the arrangement) no rest. The largest intervals reached by the right hand are fifteenths (two octaves) and sixteenths (two octaves and a second). This virtuosic piece, commonly known as one of the most difficult in piano repertoire, was written by Franz Liszt in 1838. As a whole, the étude can be practiced to increase dexterity and accuracy at large jumps on the piano, along with agility of the weaker fingers of the hand and muscles within the forearm and wrist. The étude is played at a gentle, brisk allegretto tempo and features constant octave hand jumps between intervals larger than one octave, sometimes even stretching for two whole octaves within the time of a sixteenth note. It is almost exclusively in the final version that these pieces are played today. Incipit for "La campanella" by Franz Liszt ( Grandes études de Paganini S. 141, are a series of six tudes for the piano by Franz Liszt, revised in 1851 from an earlier version (published as tudes d'excution transcendante d'aprs Paganini, S.
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